|
Why I Believe In Santa Claus
by Randy Gresham
Growing up in the nouveaux suburbs of Atlanta, the big event each year
was the subdivision holiday decoration contest. In these neat-as-a-pin
enclaves of comfortable stretch-ranch brick dwellings, the contest represented
the very essence of the suburban Christmas Season. In our neighborhood,
family status during the following year could very well depend on its
placement in these Yuletide competitions.
Each year, shortly after Thanksgiving, members of the neighborhood would
begin to cover their doors, awnings, or boxwood hedges with all manner
of clever and original designs. Generally restrained, the designs could
wax elaborate, such as the neighbors door that sported the stuffed
reindeer head.
My family nearly burst with pride the year we won first place for our
Around the World in Eighty Days door design, which included
a mechanical moving balloon and basket, which was my fathers creation.
Dad was an aeronautical engineer. It had precious little to do with Christmas,
but wowed as a composition. Years of increasingly elaborate flash in this
halcyon 1950s decade had established that it was dazzle that counted,
not the theme. It astonished, not for its level of taste, but with his
boldness of vision.
This aesthetic one-upmanship had grown out of the spirit of the times
in a region of the country that until the Second World War was on an economic
par with a third world nation. It had only begun to recover from the devastation
of Reconstruction under President Franklin Roosevelt. It had gained financial
security only as a result of, and during and in the wake of, the war.
The first middle class southern generation enjoyed its advantages to the
hilt. For a radius of about two miles from where I lived, the socioeconomics
were about the same. For the arrived, conformity was valued above all
other things. It insured that children would play and attend school with
peers, that values would be held in common, that adults would encounter
no surprises on their excursions to the shopping malls and that every
family would have a chance to win the Christmas decoration contest each
year.
My neighborhood had grown up around the remains of an old antebellum
big house, one that, when built, had been miles out from the township
of Atlanta. It sat on acreage three times the size of our yard. Though
never occupied during my earliest years, it still belonged to its original
owners, the Hightower family, cousins of the family who had given Stone
Mountain to the State of Georgia, and textile millionaires. All was fine
in our bland little community until one a branch of that old family reclaimed
and moved into its abandoned estate. They were a very different type of
family from those all of us were used to.
The Hightower children attended public school with the rest of us, but
even so, from the beginning, it was obvious there was a mystique surrounding
them. Classmates deferred to them, and teachers handled them with kid
gloves. It had something to do with the fact that their grandfather was
reputed to be a wizard of some kind, and even wore a robe and a pointed
hat if as proof. Though we other children didnt quite understand
the significance of all this, we knew that it was something that carried
some weight and we would do well to steer away from such subjects. When
my mother mentioned their Old South tradition, she did it in a whisper
and even then my father would shush her.
This celebrity family got into the Christmas spirit in a hurry when the
season rolled around. They placed in their yard the first year a full-sized
sled pulled by twelve mannequin reindeer and Rudolph, with a dummy Santa
Claus within, as well as light-up choir boys and candles. Lights were
strung not only in their hedges, but also completely around the columns,
the house and every window, which were also replete with light-up candles.
Some questioned the excess, but in an attempt to be neighborly, awarded
the prize to the new family for their efforts.
Encouraged by their success, the following year they added four feet
tall elves, a life-sized manger scene, more candles and yet more lights.
The Hightowers become more active in the community during the year as
well. People, hearing about them and their Christmas display, began driving
by in cars to take in the sight. Soon, word had spread throughout the
county.
The next year, a ten foot mechanical Santa Claus with booming laugh was
added, along with new characters on the roof, verandah and in the yard.
We, who lived a full four blocks from the Hightowers, could hear the guffaws
of Giant Old Saint Nick until well into the small hours of the morning.
The traffic, which had begun to back up the year before, now was completely
bottlenecked between the hours of seven oclock in the evening and
one in the morning. Families wanting to return from season festivities
of their own, might be caught up in this worse-than-rush-hour traffic
for hours. The neighborhood association had to form a special squad to
pick up litter that was strewn from the literally thousands of automobiles
that were now jamming the streets to get a glimpse of Hightowers
folly. Calls to officials did no good, because everyone was terrified
of the well-connected grandfather.
The next year was even worse. There were more characters, a carousel,
and a twenty-foot neon cross. Traffic was worse, despair greater. Members
of the neighborhood were beginning to wonder if they shouldnt think
about selling their houses in order to avoid the end of the year torment
that had become a fact of life. People began praying for a miracle.
A miracle did occur. On Christmas Eve, there were snow flurries, something
that never occurs in Atlanta at that time of the year. The Hightower place
looked like an amusement park. The Santa Claus was louder than ever. The
neighborhood had reached its limits. Suddenly, the neon cross in the yard
shorted and caught fire. In the yard of a family who had caused hundreds
of crosses to be burned in the yards of others, a giant cross was burning.
A spark leaped from the cross and caught the cotton beard of one of the
elves on fire, which in turn caught yet another figurine on fire. Before
too long all of the figures in the yard, placed far too close together
for safetys sake, were on fire, along with those on the roof and
elsewhere. It began snowing harder. The terrified occupants of the house
came running out through their flaming fairgrounds, knocking into and
tripping one another like Confederate soldiers fleeing the burning of
Atlanta. Panicking motorist abandoned their cars. Fire trucks were blocked
by all the abandoned cars. Pandemonium broke out everywhere.
Suddenly, at midnight, there was a huge explosion. The sled containing
the original Santa Claus, along with the reindeer were hurled up into
the air and far down the street. Packages spilled out into the awe-struck
crowd. People pointed and gasped.
The snow changed to rain and the fire was extinguished. All that remained
was a bunch of smoldering and melted Christmas figurines and candles.
The giant Santa Clauss laugh died out. It was over.
The Hightowers moved from the charred ruins of their house to another
part of the county. I understand they never put on such a production for
Christmas again. The next year, however, the rumor spread that they had
contributed money to both the Foundation for the carving of the Confederate
Memorial at Stone Fountain and to an amusement park to be located there.
The unflappable Hightowers continued in their Old South tradition, and,
like the South itself, would rise again.
|
|